READING IS OVERRATED

LET YOUR MIND DO THE TALKING

Thursday, August 07, 2008

Martin Margiela Is a Fashion Man's Dream









The image of Martin Margiela consists of a never-photographed designer who irreverently sends outré looks down the Paris runway on models shadowed by lab coat-wearing employees. The distilled identity of Margiela's wares, however, is that of a masculine uniform for clued in men working in fashion and other creative industries.

We count several Margiela devotees among our discerning network of tastemakers. They buy new pieces—which are not always distinguishable—from season to season, and opt for dusty-colored button downs, leather jackets, louche suits, sober fisherman-inspired knits, sneakers that look like Eastern Bloc basics and, of course, the ever-popular serialized t-shirts. It comes as no surprise that the Belgian designer draws repeat visits of the cultish variety.

Fashion marketing consultant Jeremy Talamini counts himself as a member of the Margiela fan club, and, like most Margiela wearers, has a specific philosophy on the designer's dress code. "I think it is a uniform of sorts, for the guy who has good taste but doesn't want the label of wearing a label. It is extremely comfortable so you can feel as though you are put together, but maintain the feeling of wearing khakis and a t-shirt. This, for me, is key because so often designer stuff is a burden to actually wear every day—unwieldy buttons, awkwardly placed pockets, for example."

This message also holds muster among men who consider flamboyant fashion awareness to be a major faux pas. Fashion designer Edward Buchanan explains: "I like that it is in a sense discreet, but those who know, know." Uber-stylist Beat Bolliger—whose wardrobe is 65% Margiela, with Marc Jacobs, YSL and Ralph Lauren making up the rest—gushes of his love affair: "the proportions are accurate, there's not too much going in the garment and I buy everything."

Buchanan confesses to owning a wardrobe that's 80% Margiela, noting that he inadvertently finds himself dressed entirely in the designer's garments. "It fits my body well. It's basic but has that fashion edge. You feel dressed up but still casual," he explains. Margiela is one of those brands that's wearable from head to toe. And, with the label's slow expansion into footwear, bags and jewelry, a total look is easy.

Why, then, are fashion-savvy men the leading converts? Is it because it takes a trained eye to recognize the sartorial superiority of Margiela's tailoring and fabric choices? Makeup artist Jabes Vincent (who also runs a spa in Guadalope) offers: "wearing Margiela shows you are not like the other men, like the others who simply like fashion. Margiela lovers are a kind of a little 'aristocracy.' I like this idea, even if it's quite superficial." Buchanan suggests an equally exclusive explanation, but one riddled with other insecurities, saying: "fashion people are, in most cases, afraid of fashion. They like fashion and like to wear it but are afraid to look like a fashion plate."

The image of Margiela as the thinking man's brand is shared by his followers and also serves as a central platform for the label's mystery and mystique. Jim Dorsey, a San Francisco-based fashion executive at E-Luxury, says he's been wearing the label for about ten years and considers "Margiela an investment in intelligent, versatile studied pieces. I also like that there's a vague historical context to each collection (usually '70s disco/rock—an excellent era for menswear). I have to admit, too, that I fall victim to the superficial 'branding' of his clothes: the white lab coats, the anti-marketing of the brand, the perception that the clientele is artistic and renegade and cool. It brings a sense of affiliation that is further enhanced by the four white stitches of his label—which is, after all just as much a badge of identity as the ubiquitous LV monogram canvas."

With such insider appeal, could Margiela ever reach that megabrand status? Parent company Diesel keeps its expansion plans close to the bosom, but there are rumors of forthcoming store openings in Las Vegas, Chicago and San Francisco to join the ranks of his locations in New York, Paris and Los Angeles. Indeed many more stores continue to stock the line worldwide. One can only hope that a wider audience of men will embrace Margiela's smart options when it comes to sartorial choices.

Wednesday, August 06, 2008

Letting Alonso go will be a mistake


Barry instead of Alonso?? It will be a mistake..Specially 18million pounds for Barry..U must be kiddin me..Stay with Alonso, and with 18mill we can get 2-3 good players..

Kevin Pietersen is confirmed as England's new Test and one-day captain


I think that is the right choose..Go Pietersen

YMC footwear









I love this set of YMC shoes. specially the red one, very sexy...N i like the blak leather shoes as well, m always lookin for a pair of smart casual shoes n the black leather pair may just be the one...n the blowing shoes r very freaky too..Love them..

Tuesday, August 05, 2008

Raf Simons For Fred Perry





Alot of u may know i love v-neck n cardigan, i think they r simple n cool , Now Raf Simons has team up with Fred Perry n come up with this simple n yet very cool V-Neck n cardigan..I LOVE IT..but its a shame they r only in black.. I don;t really do black..

Sunday, August 03, 2008

DSM latest

Henry Holland
Husserin Chalayan
Jamie Reid
John Galliano
Lanvin
One Plus One
YSL

Saturday, August 02, 2008

Hedi Slimane







Designer come photographer Hedi Slimane, did an interview with HintMag.

Q&A with Hedi Slimane on his new book, Rock Diary (JRP|Ringier), a three-volume set of photos the designer-cum-photographer took at rock concerts over the last decade, focusing on the ritualistic interaction between stage idols—i.e. Amy Winehouse, The Klaxons, Pete Doherty—and their energized fans. One can see the same verve and vigor that Slimane—himself a hybrid of rock star and groupie—infused into his Dior Homme collections, and so much more...

You seem perfectly able and willing to go between observer and creator. I think that balance is fairly unique. How has that influenced your work?
I started with observing, since photography was my first passion. I assume that with time I developed an interaction between imagery and the design process. My work was always about one subject, one character that I tended to approach through different means. The balance is an attempt to avoid definition and to create a sense of perspective. I will never reach my goal, that is a given. I am just pretending, trying for something like utopia.

Many of your photos show people engaged in an activity, from surfing to rock concerts. Is that the definition of a cult? Can anything be a cult?
It is always about ritual and cult, you are totally right. This has always been, including my fashion shows and collections, without exception. I am consistently interested in the representation of the sacred, the making of signs and conventions, and the repetition of actions and devotions. Live performance is, of course, an obvious transposition of liturgy, and I guess any movement in street and youth culture has created a strict and formal code which was meant to define and transcend a distinctive group.

How do you think people expressed rebellion before rock?
Rock music pretty much catalyzed rebellion in the mid-50s and the understanding that there was some kind of time capsule between childhood and adulthood, which was challenging and explosive, to say the least. Besides, we can still go back to the 18th Century, to the court of Versailles, and figure out that music and new sounds were always the sign of some sort of rebellion. When Marie Antoinette imported [Christoph Willibald] Gluck to wake up the dance floor in the dusty Galerie des Glaces and displayed her elaborate hairstyle, she was being a rebellious teenager.

What does the future hold for rock? Will it last forever? Should it?
In a certain way, rock is an academic pursuit like any other. It is an extremely conventional culture, a pure tradition, and this is precisely why it will always be around and survive new genres. In this way, it is totally reassuring, which could mean it will always become cooler and more iconic. Besides, there have been no ways around it for the past fifty years. It will keep coming back, but never quite the same, reinforcing a legendary tradition.

Do you wish fashion had the kind of obsessive fans music has?
It has already. The Internet helped create an appeal for fashion and a fan culture that goes beyond knowledgeable. These fans have a true passion for details.

Have you ever wished you were a rock star in music, the way you were a rock star in fashion, and hopefully will be again?
Not at all. I always thought I stood behind a screen, sometimes a lens. I rarely felt exposed. It is not my nature, I assume, to stay "outside." Whatever happened was against my will.

Friday, August 01, 2008

MGMT



MGMT is definatly the IT band at the moment , i don;t care when some say they sound abit old fashion , i think they r cool..

Here is a great article from Men.Style about MGTM, who seem to be defining the present movement of electric music with a core of fashion following with this "anthem" entitled 'Time to Pretend' having seen a number of houses utilise the track during runway shows. Read the article and view the track in full flight on the runway below.

"I'm feeling rough, I'm feeling raw, I'm in the prime of my life. Let's make some music, make some money, find some models for wives."

Not since the Verve unleashed "Bittersweet Symphony" in 1997 has the fashion crowd found such an obvious anthem as they have in MGMT's "Time to Pretend."
The hit song is from the two-man band—Ben Goldwasser and Andrew VanWyngarden—whose synthesized sounds, trippy videos, and poignant-yet-ironic lyrics strike a chord with the disenfranchised fashion league of today
The Brooklyn-based duo met in 2001 at Wesleyan University, where they started performing 15-minute, one-song shows at the college's notorious clothing-optional dorm. The set list? The Ghost Busters theme, performed ad nauseam, inspiring a cluster of fans to create an indie label just to produce the group's first six-song EP.

Fast-forward to the spring/summer 2009 men's runway presentations in Milan, Paris, and New York. Gucci's Frida Giannini, who played "Time to Pretend" as her event's last track, even went so far as to dedicate her show to the band. The producers of Gossip Girl—who are tapped into what's right now in the fashion world—used the song in the show's season finale this past May.
And the style love is widespread: Burberry's Christopher Bailey told me, "I love MGMT. I love the sense of romance and whimsy in their songs, and their sound and attitude is refreshing and modern."

Thursday, July 31, 2008

Welcome Robbie Keane


Robbie Keane made his Liverpool debut and missed the best chance of the evening as the Reds were held to a 0-0 draw by Villarreal in Spain.
I think he will be a good buy for us..Keane YNWA

YMC Fall/Winter 2008 Collection
















I love YMC.. I m digging the scarf and the belt..

YMC released a series of their Fall / Winter 08 items recently, which includes a variety of subtle yet detailed pieces, ranging from cardigans, shirts and light wind breaker jacket, to double buckled belts and selvedge denims.

“Formed in 1995 by Fraser Moss and Jimmy Collins, YMC is a response to the increase in demand for stylish, functional, modern clothing, not lead or influenced by seasonal trends but try to provide the solution to clothes that are both wearable and distinctive. “ This simplistic approach to fashion has certainly proven to be quite a successful formula for many labels out there.

Tuesday, July 29, 2008

F@&k Me.. i love this record

I m loving this new CSS record .. Amazing .. although may not be everybody cup of tea
But i LOVE IT
Here is one of the new song from the album..